Raphael Collazo: Catalogue Raisonné
Raphael Collazo: Catalogue Raisonné
Martin Haggland, 2001-2002
Dedicated to Ernest Acker-Gherardino
"...I was reading about visualizations, and
I knew someone, a close friend who passed away, several friends
who passed away, and the last one was a cancer patient and I was
thinkin' -- I read a lot about the people meditating and visualizing
and helping to ah have their illnesses go into remission. So,
I was thinking along these lines and I was reading, and I had
listened to this tape about meditating and visualizations; and
when I listened to this tape it was like everything was up in
space, in the air and in the light. And they talked about this
beautiful white light, and it's a healing light. And this gave
me great inspiration for my paintings; I thought 'Oh, this sounds
beautiful' and I wanted to have a place like that so people would
look at my painting and say 'Oh this is a beautiful, peaceful
place I can sit down and meditate', and feel this wonderful warm
light, healing light...." 1
-- Raphael Collazo
CONTENTS
Timeline of Painting Periods (1961-1989)
About the Catalogue Raisonné
ACADEMIC (1961-1974)
Early (1961-1965)
Color Planes (1966)
Blue Rider (1967)
TV Housewife (early 1968)
Soft Edge (late 1968)
Early Figurative Drawings (1969)
Arched Interiors (1970)
Puerto Rican Landscapes (1971)
Hard Edge (early-middle 1972)
Early Boxes (late 1972-1973)
Life Studies (1974)
PROPHECIES (1975-1976)
MIDDLE ROCOCO (1977-early 1980)
Expressionist Drawings (1977-1978)
Late Figurative Drawings (early 1979)
Fish Lips (late 1979-early 1980)
LATE ROCOCO (late 1980-1983)
Late Boxes (late 1980-1982)
Pleasure Gardens (early-middle 1983)
Floribundia (late 1983)
TAPESTRIES (1984-early 1986)
Early Tapestries (early-middle 1984)
Early Tapestries Drawings (early-middle 1984)
Middle Tapestries (late 1984-early 1985)
Middle Tapestries Drawings (late 1984-early 1985)
Late Tapestries (middle 1985)
Late Tapestries Drawings (middle 1985)
Epic Tapestries (late 1985-early 1986)
Epic Tapestries Drawings (late 1985-early 1986)
NYMPHAL INSTARS (middle-late 1986)
Nymphal Instars (middle-late 1986)
Nymphal Instars Drawings (middle-late 1986)
HEALING GARDENS (1987-1988)
Early Healing Gardens (early-middle 1987)
Middle Healing Gardens (late 1987-early 1988)
Late Healing Gardens (middle-late 1988)
TRANSCENDENCE (early-middle 1989)
Black Figures (early 1989)
Black Figure Drawings (early 1989)
Yaddo (middle 1989)
This catalogue raisonné is the definitive source of information about Raphael Collazo's work; it provides visual and written documentation on over 800 of the his paintings, works on paper, collages, assemblages and sketches.2 Visual reference consists of a slide of each work. Written documentation consists of each work's catalog number, title, year, medium, size, exhibitions, collection and notes. The notes consist of the author's comments, evidence for the date and the record from an inventory of the artist's paintings. Complementing this catalog, a discussion of the artist's work and life will be found in the author's The Paintings of Raphael Collazo and on the corresponding web site at www.collazo.org. That site also contains an online version of this catalog with illustrations of 295 works.
Details derive from the author's analysis of Collazo's slides and photos, exhibition lists, gallery catalogs, videos of his exhibitions, announcement cards, artistic statements, newspaper articles, gallery transmittals and sales documents. These materials, most produced by the artist or his friend and frequent curator, Ernest Acker-Gherardino, were collected by the latter's sister-in-law, Kay Acker, from Collazo's apartment in New York and from the Southold barn, where he had stored most of his work during the last twenty years of his life.
All of the materials, including the documents referenced in the notes herein, have been donated by Raphael Collazo Foundation to the Colección de las Artes of the Library System of the University of Puerto Rico, San Juan, Puerto Rico. They have been cataloged by the library system and are now available for study and analysis to anyone interested in researching the visual arts of Puerto Rico.
Additionally, between May 1996 and November 1998, with Kay Acker, the author directed photo documentation of the vast majority of Collazo's known works, including those formerly in the artist's apartment, in the barn, in eight museums and in seven private collections. More than 700 paintings, works on paper, collages, assemblages and sketches were photographed. At most of the photo sessions (except in the museums and in two private collections), the author had the opportunity to examine each work and record its medium, size and any title, date or notation. For further details, please refer to "Source Materials" of The Paintings of Raphael Collazo or the artist's web site at www.collazo.org.
The Catalogue Raisonné has been published in an edition of two.3 No. I is in the library of Raphael Collazo Foundation in New York and No. II is in the Colección de las Artes in San Juan, Puerto Rico. Each set is comprised of two volumes. Volume I contains the list of works and slides of the artist's early work (1961-1983); Volume II contains slides of the late work (1984-1989).
Generally, catalog numbers were assigned in the order that the works were recorded from unorganized slides and photos, then in the order that additional works were photographed: essentially at random. Thus, they have no relationship to chronology, but simply serve to uniquely identify each work. Numbers from 001 to 499 refer to paintings, 500 to 899 to works on paper and 900 to 999 to memorabilia. Not all numbers in these series were assigned and there are some gaps in the sequences.4
Slides are the principal visual reference. Each slide is inscribed with the catalog number of the work depicted and is placed in the same order as the Catalogue Raisonné listing. Occasionally, one or several symbols or letters appear after the catalog number to alert the reader to special considerations; these codes are explained below in the section titled Works by Raphael Collazo,
Catalog numbers should not be confused with the numbers that uniquely identify each photo or with the plate numbers used in The Paintings of Raphael Collazo.
The title shown for a work is based primarily on handwritten inscriptions by the artist or his curator, Acker-Gherardino, on slides and photos, supplemented by contemporary exhibition lists (by either of them) and gallery catalogs. His curator usually invented the titles. They were clever, erudite and enthusiastically accepted by Collazo. One delightful example is A Menacing Variation on an Amusement Park Theme. Some works had many titles: preliminary ones by the artist, titles upon first exhibition (usually by Acker-Gherardino) and later titles (usually also by him, because he had forgotten the original one). Occasionally, there were variant spellings and misspellings.
To rationalize the confusion of multiple titles and to avoid titles that were not used during the artist's lifetime, the author has selected the title and spelling that was used upon the first exhibition of each work. Not only is this approach historically correct, the title is usually the best. For example, the painting that Acker-Gherardino originally titled A Scene From The Life of Giotto, he less aptly retitled Lanai, a decade later. Presumably, he had forgotten the original title, which the author discovered on the gallery's list of works exhibited soon after the painting had been finished. In another instance, a title at different times was spelled Nekofi Cerkafi, Narcofi Sarcafi and Narkofi Sarkafi. The title has been restored to the original spelling, which appears on a contemporary list of May 1985. Variant titles, spellings and misspellings for a particular work are detailed in the author's Comments area of the notes.
A work whose title is unknown or which, perhaps, never had a title is indicated as "Untitled", followed by any relevant information in brackets. If in quotes, that text is inscribed on the work by the artist, as No. 527 Untitled ["I Love Watteau"]. In The Paintings of Raphael Collazo, a working title, identified as "[Estate title]" was used for any untitled piece. For ease in referring to that book, those titles are enclosed in parentheses, as No. 304 Untitled (The Ladies).
Like the title, the year of a work is based primarily on the artist's or his curator's inscriptions on slides and photos, supplemented by lists and catalogs. In some cases, a work can be documented even more precisely: to the season, month or very day of its completion. The evidence used to assign the year or a more exact date is shown in the Date area of the notes. In other cases, even the year can only be guessed at, based on the work's style. To indicate that uncertainty, the letter "c." (circa) precedes the proposed year.
In most instances, the medium shown is based on the above-mentioned documents. In other cases, the author has examined the work (in person or, less adequately, in a slide or a photo) or has assigned the medium consistent with other works in the series. Fortunately, the artist's frequent use of the catchall phrase "mixed media" to describe his medium from 1984 onward simplified the author's task considerably. "Mixed media" commonly included oil, oil stick, spray paint, chalk, charcoal, graphite pencil, colored pencil, ink, paper collage and fabric collage. The media, at times, were as diverse as model landscaping materials, tarpaper and paint appliqué elements thickened with marble dust, not to mention even more unusual items that the artist utilized from time to time.
Sizes are in inches, vertical by horizontal, for the work itself, without frame or matte, unless otherwise indicated. A third measurement, if any, indicates depth. Dimensions were obtained from a variety of sources: measurements by the author, inscriptions on slides and photos, lists, catalogs and the inventory of the artist's barn, discussed below. When discrepant dimensions were obtained from source materials and confirmatory measurements could not be taken; the most likely size is given, based on the dimensions of other works in the series, the proportions and, as a last resort, the author's memory. When the size is uncertain, the measurement is preceded by "c." (circa).
The known exhibition history of each work is given using the abbreviations below. All capital letters designate museums; upper and lower case letters, private galleries. Roman numerals indicate the chronological order of exhibitions at the same venue. Arabic numerals indicate the work's clockwise position in the exhibition, starting at the entrance, with the exception of the Galería Santiago exhibition, for which the positions are unknown and such numerals merely indicate the order on the artist's list of works for that show.
After its abbreviation; the title, venue, location, dates and curator of each known exhibition appear, followed by the author's comments. The comments indicate whether a solo or a group show, the works included and any additional information. For convenience, if known and if six or fewer, the works in the exhibition are listed. Otherwise, refer to the Catalogue Raisonné's exhibition history of individual works in the section below titled Works by Raphael Collazo, or, for solo exhibitions of 1984 and later, refer to the virtual exhibitions at www.collazo.org.
EMDB II
Voices
from Our Communities, El Museo del Barrio, New York, June
12-September 16, 2001, curated by Susana Torruella Leval with
Fatima Bercht and others. Comments: Group. Showed Bushwick
Park. Subtitle: "Perspectives on a Decade of Collecting
at El Museo del Barrio".
Matices
Raphael Collazo: Profound Domains, Galería
Matices, Hato Rey, Puerto Rico, December 7, 1999-January 8, 2000,
curated by José Antonio Pérez Ruiz. Comments:
Duo with Peruvian artist Jaime Vásquez. Showed 10 paintings
of various periods.
Marrozzini
Group
exhibition [title unknown], Luigi Marrozzini Gallery, San Juan,
Puerto Rico, c. March-June 1995, curated by Luigi Marrozzini.
Comments: Group. Showed 12 works selected from the Museo
de Arte e Historia de San Juan's Raphael Collazo (1943-1990) Exposición
Retrospectiva.
SUNY
Raphael
Collazo (1943-1990), State University of New York Albany Museum
of Art, Albany, New York, March 25-April 23, 1995, curated by
Marijo Dougherty. Comments: Solo. Showed How to Draw & Paint; Fast Forward; Realm of Flora, American Hybrid; and
Topiary.
Announcement card: "A gift of four large paintings from
Mr. William A. Small to the U. at Albany Foundation Collection".
MAHSJ
Raphael Collazo (1943-1990) Exposición
Retrospectiva, Museo de Arte e Historia de San Juan, San
Juan, Puerto Rico, December 14, 1994-March 11, 1995, curated by
Ernest Acker-Gherardino. Comments: Solo. Showed 48 works
in retrospective, the artist's first major exhibition in Puerto
Rico. Dr. Elías López Sobá, director.
UAMA
Raphael Collazo (1943-1990) Memorial Retrospective,
The University of Arizona Museum of Art, Tucson, Arizona,
October 4-November 22, 1992, curated by Peter Bermingham. Comments:
Solo. Showed 28 works in memorial, retrospective exhibition.
Outer Space VI
proFOUND:
12 Assemblagists, Outer Space and Steve Bush Exhibit Room,
New York, October 19-November 4, 1990, curated by Ernest Acker-Gherardino.
Comments: Group. Showed A Gathering and Lepidoptera at Outer Space.
MOCHA III
Healing
Garden, Museum of Contemporary Hispanic Art (MoCHA), New
York, March 23-April 14, 1990, reception April 5, 1990, curated
by Nilda M. Peraza. Comments: Solo. Showed nine Middle
Healing Gardens and Transcendent paintings in memorial exhibition.
Ledo
Quadralogue:
Pure Abstraction, LEDO, New York, April 7-30, 1989, curated
by Ernest Acker-Gherardino. Comments: Group. Showed No.
435 Untitled (Instars II). Announcement card: "New
Paintings by Raphael Collazo, Ernest Acker-Gherardino, Gary Smith,
Martin Semel".
Yares
Group exhibitions
[titles unknown], Riva Yares Gallery, Scottsdale, Arizona, c.
September 13, 1988-May 19, 1989, curated by Riva Yares. Comments:
Group. Showed So Lonely Since You Went Away and
works of the Nymphal Instars and Healing Gardens series.
Outer Space V
Feast
of Fresco, Outer Space, New York, May 2-13, 1988, curated
by Ernest Acker-Gherardino. Comments: Group. Works not
known; probably showed those of the Middle Healing Gardens series.
Erpf IV
Raphael Collazo: Healing Gardens [title unknown],
R. C. Erpf Gallery, New York, Winter 1988, curated by Rosemary
C. Erpf. Comments: Solo. Showed Healing Gardens paintings and "also
various works on paper" in Collazo's third one-person exhibition
at R. C. Erpf Gallery. Although no records are known to exist,
these facts and the date have been confirmed by Rosemary C. Erpf
in a letter to the author, New York, August 15, 1999 and in a
telephone conversation, New York, August 19, 1999.
MOCHA II
Abstract
Visions, Museum of Contemporary Hispanic Art (MoCHA), New
York, November 24, 1987-January 17, 1988, curated by Carla Stellweg.
Comments: Group. Showed Arcana Mundi at Cardozo School of
Law, Yeshiva University, New York.
Art Lobby VII
Salon
West [IV], Art Lobby, New York, March 14-April 7, 1987, curated
by Ernest Acker-Gherardino. Comments: Group. Works not
known; probably showed those of the Early Healing Gardens series. Announcement
card: "5 Gallery Art Exhibit/New Works by 40 Artists/March
14 to April 7, 1987".
PS 122
The
Shifted Landscape, P.S. 122, New York, March 7-29, 1987, curator
unknown. Comments: Group. Works not known; probably showed
those of the Early Healing Gardens series.
Art Lobby VI
Blue
Food: The Gourmet Art Show: A Feast for the Eyes, Art Lobby,
New York, November 8-23, 1986, curated by Ernest Acker-Gherardino.
Comments: Group. Works not known; probably showed those
of the Nymphal
Instars series. Four gallery exhibition.
Erpf III
Raphael
Collazo: Recent Paintings and Drawings, R. C. Erpf Gallery,
New York, November 4-29, 1986, curated by Rosemary C. Erpf. Comments:
Solo. Showed works of the Nymphal Instars and Early Healing Gardens series in Collazo's
second one-person exhibition at R. C. Erpf Gallery.
Artists for Artists
An
Auction to Benefit New York Artists' Housing, Artists for
Artists, The Puck Building, New York, September 26-October 8,
1986, auction October 14, 1986, curator unknown. Comments:
Group. Donated Bug World Series #2.
Expatriates
Expatriates:
Paintings by 15 Young Latin American Artists, The Thomas Center
Gallery, Gainesville, Florida; The Lee Scarfone Gallery, University
of Tampa, Tampa, Florida; The Polk Museum of Art, Lakeland, Florida;
The Atlantic Center for the Arts, New Smyrna Beach, Florida; April
27, 1986-April 1987, curator unknown. Comments: Group.
Showed Exit
in traveling exhibition.
Erpf II
Raphael
Collazo: New Work, R. C. Erpf Gallery, New York, February
15-March 13, 1986, curated by Rosemary C. Erpf. Comments: Solo.
Showed So
Lonely Since You Went Away, an earlier work, with the
Epic
Tapestries paintings Arcana Mundi, Veduta, Goodbye Rococo, Bug World and The Magic Is Back in Collazo's first
one-person exhibition at R. C. Erpf Gallery.
Ben Shahn
A
Radical Plurality, Courtyard Gallery of Ben Shahn Center for
Visual Arts at William Patterson College, Wayne, New Jersey, February
3-March 12, 1986, curated by Sheri Newberger. Comments: Group.
Showed How to Draw & Paint and, perhaps,
other works.
Erpf I
NeoModern,
R. C. Erpf Gallery, New York, November 19-December 9, 1985,
curated by Rosemary C. Erpf. Comments: Group. Showed the
Epic Tapestries painting She Who Knows What Happened There in
inaugural exhibition of gallery.
Art Lobby V
Open
Studios 85, Art Lobby, New York, October 19, 20, 26 and 27,
1985, curated by Ernest Acker-Gherardino. Comments: Group.
Works not known; probably showed those of the Late Tapestries series. West Side Arts
Coalition's exhibition in multiple venues.
Outer Space IV
Group
Show: Coming Attractions, Outer Space, New York, September
13-22, 1985, curated by Ernest Acker-Gherardino. Comments:
Group. Showed Arc (K) and, perhaps, other works.
Art Lobby IV
Acker-Gherardino,
Collazo, Haggland, Semel, Art Lobby, New York, September 2-October
13, 1985, curated by Ernest Acker-Gherardino. Comments: Group.
Works not known; probably showed those of the Late Tapestries series. Four-person exhibition:
"[Ernest] Acker-Gherardino, [Raphael] Collazo, [Martin] Haggland,
[Martin] Semel".
MOCHA I
Trends,
Museum of Contemporary Hispanic Art (MoCHA), New York, July
25-August 18, 1985, curated by Susana Torruella Leval. Comments:
Group. Showed N.G.C.
in "Summer group exhibition". Nilda Peraza, Director.
Outer Space III
Subject/Object,
Outer Space, New York, June 28-July 31, 1985, curated by Ernest
Acker-Gherardino. Comments: Group. Showed Archeology and, perhaps, other works.
Outer Space II
Five
Easy Piecers, Outer Space, New York, May 24-June 9, 1985,
curated by Ernest Acker-Gherardino. Comments: Group. Showed
N.G.C.
and, perhaps, other works.
Art Lobby III
Gritti
Citti 2, Art Lobby, Outer Space, Cork Gallery of Avery Fisher
Hall at Lincoln Center, New York, April 19-May 12, 1985, curated
by Ernest Acker-Gherardino. Comments: Group. Showed Middle
Tapestries paintings. Five-person exhibition.
Avery Fisher Hall
SWANKY
(Some Westside Artists Not Known Yet), Cork Gallery of Avery
Fisher Hall at Lincoln Center, Outer Space, New York, April 19-30,
1985, curated by Ernest Acker-Gherardino. Comments: Group.
Showed Archeology
and How to Draw & Paint.
Outer Space I
HEART:
Help Ethiopia Art Show, Outer Space, New York, March 16-April
6, 1985, curated by Ernest Acker-Gherardino. Comments: Group.
Donated From a Woman's Heart and From
My Heart to benefit auction.
Bogues
Salon
West II, Bogues Messinger Rangel Gallery, New York, c. February
8-24, 1985, curated by Ernest Acker-Gherardino. Comments: Group.
Works not known; probably showed those of the Middle Tapestries series.
Passaic
Some
Trends in Puerto Rican Art Today, Broadway Gallery of Passaic
County Community College, Passaic, New Jersey, October 25-November
14, 1984, curated by Danielle Rubel. Comments: Group. Showed
Italy
For You, Reality
Being Too Thorny for My Great Being and That Accelerating Rate of Change.
Art Lobby II
Open
Studios '84, Art Lobby, New York, October 20, 21, 27 and 28,
1984, curated by Ernest Acker-Gherardino. Comments: Group.
Art Lobby's Recuerdo exhibition became one component
of the West Side Arts Coalition's exhibition in multiple venues.
Art Lobby I
Recuerdo
(I Remember): The Paintings of Raphael Collazo, Art Lobby,
New York, September 29-December 31, 1984, extended to April 18,
1985, curated by Ernest Acker-Gherardino. Comments: Solo.
Showed an early Prophetic painting Emergence, 31 Early Tapestries paintings, as well as
the first two Middle Tapestries paintings, Italy For You and Venezia per Tutti.
EMDB I
A Humble
Vision, El Museo del Barrio, New York, c. July 6-July 31,
1984, curator unknown. Comments: Group. Showed Dream Street.
Steve Bush V
Raphael
Collazo Paintings, Steve Bush Exhibit Room, New York, September
16-October 15, 1983, curated by Ernest Acker-Gherardino. Comments:
Solo. Showed Desecration [The Annunciation], Whose Favorite Bird was the Peacock?
and Pleasure
Gardens paintings.
Steve Bush IV
West
Side Drawings, Steve Bush Exhibit Room, New York, "Through
April 7, 1983", curated by Ernest Acker-Gherardino. Comments:
Group. Works not known; probably showed Late Figurative
Drawings.
Steve Bush III
Scavenger
Art and the West Side Mystique, Steve Bush Exhibit Room, New
York, "Through February 28, 1983", curated by Ernest
Acker-Gherardino. Comments: Group. Works not known; probably
showed Late Figurative Drawings. Exhibition with "Kalmia
[known only by this name], Ralph Collazo and Ernest Gherardino".
San Geronimo
Group
exhibition [title unknown], Galería San Geronimo, San Juan,
Puerto Rico, 1983, curator unknown. Comments: Group. Works
not known; probably showed Late Figurative Drawings. Exhibition
known only from inclusion on a biographical list.
Steve Bush II
Second
exhibition of Early and Late Boxes [title
unknown], Steve Bush Exhibit Room, New York, 1983, curated by
Ernest Acker-Gherardino. Comments: Group. Showed 6 boxes:
Swaneria:
Marina's Dream, St. Joseph of the Concourse, My Little
Puerto Rico, Elephant Palace, Footprint in the Sands and Everything
in Life.
Steve Bush I
Raphael
A. Collazo Collages & Boxes, Steve Bush Exhibit Room,
New York, March 9-April 1, 1981, extended to May 1, 1981, curated
by Ernest Acker-Gherardino. Comments: Solo. First exhibition
of Early
and Late Boxes. Also showed the collage
Always Proceed.
Victor Parker
Ralph
Collazo Paintings and Drawings, Victor Parker Gallery, New
York, March 6-31, 1980, curated by Ernest Acker-Gherardino. Comments:
Solo. Showed Prophetic
and Fish
Lips paintings with works on paper. See Ernest Acker-Gherardino,
Raphael
Collazo, New York, 1980 in "Statements" of The
Paintings of Raphael Collazo or www.collazo.org.
Prince
Raphael
Collazo: Paintings, 125 Prince Street Gallery, New York, October
21-November 16, 1973, curated by Raphael Collazo. Comments:
Solo. Without Pollution on announcement card; probably
showed other Hard Edge paintings, such as Jansky's Aerial.
Visual Arts
On
Air Facilities: Paintings by Raphael Collazo, Visual Arts
Gallery at School of Visual Arts, New York, September 4-15, 1972,
curated by Raphael Collazo. Comments: Solo. Without
Pollution on announcement card. Showed Hard Edge paintings:
most or all of the exhibited works are known, including Jansky's
Aerial.
Santiago
Exhibición
de Raphael Angel Collazo, Galería Santiago, San Juan,
Puerto Rico, February 5-19, 1971, curated by Helene Santiago.
Comments: Solo. First one-person exhibition. Showed Early Rococo
works: some of the exhibited works are known. See Jordan Massee,
Statement
for announcement card, New York 1971; Ernesto J. Ruiz De La
Mata, Collazo,
Sunday San Juan Star Magazine, page 14, San Juan, Puerto Rico,
February 14, 1971; and Antonio J. Molina, Rafael Collazo: Joven Artista Que Promete,
El Mundo, página 6-B, San Juan, Puerto Rico, viernes,
19 de febrero de 1971 [English translation]. See "Statements"
of The Paintings of Raphael Collazo or www.collazo.org.
The abbreviation used in this catalog for each collection, the name of the institution or collector, and the location appear below. Abbreviations in all capital letters designate museums or other public institutions; those in upper and lower case letters, private collections. If not in a collection, the disposition of the work is indicated as overpainted, destroyed, auctioned (at the artist's Southold, New York barn in October 1997, without knowledge of the purchaser), abandoned (in the same barn on November 11, 1998) or whereabouts unknown. "Ex-coll" means "formerly in the collection of".
Acker-Gherardino
Ernest
Acker-Gherardino, New York [deceased]
Angles
Margot
Angles, New York
Bankemper
John
and Charlene Bankemper, Fort Thomas, Kentucky
Beyer
Jeffrey
and Kathy Beyer, Bedminster, New Jersey
Bollin
Susan Bollin,
Scottsdale, Arizona
Calero
Olga Calero,
Belleville, New Jersey
CDLA
Colección
de las Artes, Library System, University of Puerto Rico, San Juan,
Puerto Rico
Chevare
Amparo
Chevare, Brooklyn, New York
CMC
Cabrini Medical
Center, New York
Crumpton
Michael
Crumpton, South Beach, Florida
Cruz-Uzal
Wilbert
Cruz and Marisol Uzal, Luquillo, Puerto Rico
EMDB
El Museo
del Barrio, New York
Flores
Oswaldo
Flores, Belleville, New Jersey
François
Brian
François, New York
Glasser
Loie Glasser,
New York
Godreau
Michel
Godreau, San Juan, Puerto Rico
Haggland
Martin
Haggland, New York
Hernández
Roberto
Hernández, San Juan, Puerto Rico
HSAM
The Hispanic
Society of America Museum, New York
K. Acker
Kay Acker,
Fort Thomas, Kentucky
Kapoor
Bhagwan
Kapoor, New York
Kirsch
Maureen
Kirsch, New York
Leaveck
Michael
Leaveck, Washington, D. C.
Lloret
Antonia
Lloret, San Juan, Puerto Rico
Loayza
Moisés
Loayza, Elmhurst, New York
López
Dr.
Elías and Carmen Irene López Sobá, San Juan,
Puerto Rico
MACPR
Museo de
Arte Contemporáneo de Puerto Rico, San Juan, Puerto Rico
MAP
Museo de Arte
de Ponce, Ponce, Puerto Rico
MAPR
Museo de
Arte de Puerto Rico, San Juan, Puerto Rico
MHAA
Museo de
Historia, Antropología y Arte, University of Puerto Rico,
San Juan, Puerto Rico
Miller
Tom Miller,
New York
Minsky
Arlene
Minsky, New York
MNM
Museum of
New Mexico, Museum of Fine Arts, Santa Fe, New Mexico
NBMAA
New Britain
Museum of American Art, New Britain, Connecticut
Nelson
Alice Marie
Nelson, New York
NY National Bank
New
York National Bank, New York
PAM
The Parrish
Art Museum, Southampton, New York
Pérez
José
Antonio Pérez Ruiz, San Juan, Puerto Rico
Petruzzi
Maryke
Petruzzi, Middle Village, New York
Phillips-Cape
Liza
Phillips and Francis Cape, Brooklyn, New York
Rollé
Gabrielle
Rollé, Brooklyn, New York
SCHHC
St. Clare's
Hospital and Health Center, New York
Shaw
Rosalind
Shaw, London, England
SLRHC
St. Luke's-Roosevelt
Hospital Center, New York
Small
William
A. Small, Tucson, Arizona [deceased]
Smith
Joshua Smith,
Washington, D. C. [deceased]
SUNY
State University
of New York Albany Museum of Art, Albany, New York
SVHMC
St. Vincent's
Hospital and Medical Center, New York
TAM
Tampa Art
Museum, Tampa, Florida
Tarvin
Susan Tarvin,
Fort Thomas, Kentucky
TMA
Tucson Musem
of Art, Tucson, Arizona
Torres
Marina
Torres, New York [deceased]
UAMA
The University
of Arizona Museum of Art, Tucson, Arizona
UMFA
The University
of Utah, Utah Museum of Fine Arts, Salt Lake City, Utah
YADDO
Yaddo, Saratoga
Springs, New York
Yares
Riva Yares
Gallery, Scottsdale, Arizona
The author's comments, generally indicating the source of the title and alternative titles of a work, are shown in the Comments area of the notes. In most cases; the title, year, medium and size of each work were obtained from the artist's or his curator's inscriptions on slides and photos. When additional sources were used, usually exhibition lists or gallery catalogs, they are specified.
Details of the season, month or day of the work's completion, if known, appear as the first entry in the Date area of the notes, followed by the source for the year or the more exact date. The author considered the dating of works to be of utmost importance in understanding Collazo's development and rapidly changing styles, never well documented during his lifetime. Then, under the artist's guidance, a far more accurate survey might have been possible. Instead; partial, scattered and, in some cases, incorrect information has been diligently collected, recorded and analyzed in an attempt to present a coherent view of his career. Even so, only about one-quarter of the works can be firmly dated to the year of their completion. These serve as "beacons" to date the other works on the basis of their style. In such cases, the proposed year is preceded by "c." (circa).
Slides and Photos. As previously mentioned, many dates were obtained from inscriptions on slides and photos. However, even the artist's own dates on earlier slides can be off by many years. Accordingly, the author has made a thorough review and assessment of all available documentation in order to assign the most likely date.
Lists and Catalogs. Other important sources of dates were exhibition lists and gallery catalogs. The former are lists of works to be included in an exhibition, usually prepared by the artist or his curator and often handwritten or typed. As preliminary documents for an exhibition, they may not reflect the final decisions about works to be included or their titles; since catalogs do, they are to be preferred. During his study of Collazo's documents, the author found certain lists and, even, catalogs to contain significant errors. Such errors in presumably reliable sources highlight the necessity of reviewing and assessing all of the documentation.
Lab Date. Sometimes when processing the artist's photographic materials, the laboratory stamped a date on the slide mount or the back of the photo. When available, the earliest month and year so stamped is given, preceded by "Lab:". Such a date, if accurately set, determines that the work was completed in that month and year or earlier and, at times, can be useful. The author has found only one stamped date that he deemed questionable. However, this approach is limited: although Collazo was diligent about photographing his later work within a few months of completion; the same cannot be said for work before 1984, precisely that which most lacks any other kind of documentation.
From about 1969 until the end of his life, in 1990, Collazo stored his work in a barn in Southold, New York. Liza Phillips, Francis Cape and Kay Acker took a partial inventory of that barn in 1996, before the dispersal of the artist's works. Their record, especially useful as a source for the size and medium of works, is transcribed in the Inventory area of the notes.
The abbreviations and terms used in the notes are explained below.
[ ]
Editor's note
1/8/93 slide list
Slide
list by Ernest Acker-Gherardino containing highly unreliable dates
and sizes
A/C
Acrylic on
canvas
abstr
Abstraction
Art Lobby video
Tom
Miller's video of the Art Lobby's Recuerdo exhibition and the artist's painting
methods, c. December 1984-January 1985
Art Lobby video layout
Tom
Miller's layout of photos of the paintings in the Art Lobby's
Recuerdo
exhibition, for use in planning his video, c. December 1984-January
1985
ArtSpeak
Manhattan
arts newsletter
Beyer
Jeffrey
and Kathy Beyer, Bedminster, New Jersey
Blue Food interview
Ernest Acker-Gherardino and Raphael Collazo, unpublished
manuscript, Interview with Raphael A. Collazo for Blue Food,
New York, 1987, as transcribed by Acker-Gherardino from a
recording. See "Manuscripts" of The Paintings of
Raphael Collazo or www.collazo.org
Cond
Condition
De La Mata review
Review
of the artist's first one-person exhibition: Ernesto J. Ruiz De
La Mata, Collazo,
Sunday San Juan Star Magazine, page 14, San Juan, Puerto Rico,
February 14, 1971. Photographs by Rafael H. Trias depict Room with Brown Floor, Los Infantes Terribles, Palace Theater and Head Study. See "Statements"
of The Paintings of Raphael Collazo or www.collazo.org
EAG
Ernest Acker-Gherardino,
New York [deceased]. The artist's friend and frequent curator
of his exhibitions
EAG Art Lobby statement
E.
Acker [Ernest Acker-Gherardino], unpublished manuscript, Hanging
Ralph Collazo's Exhibition in Art Lobby, New York, 1984.
See "Manuscripts" of The Paintings of Raphael Collazo
or www.collazo.org
EAG hand
In Ernest
Acker-Gherardino's handwriting
EAGHP
In Ernest
Acker-Gherardino's handwriting on a photo
EAGHS
In Ernest
Acker-Gherardino's handwriting on a slide
EG
Ernest Acker-Gherardino
F
Framed
Film Strip (with number)
Refer
to negative
Geo
Geometric
Inventory
Partial
inventory of the artist's Southold, New York barn, taken in 1996,
before the dispersal of his works. See Inventory Record, above,
for details
Jan 85 and May 85 lists
Lists
of Middle
Tapestries and Late Tapestries works prepared by Acker-Gherardino
to accompany slides; used by the author to restore original titles,
to date paintings and to determine chronological order
Lab
Laboratory
processing date, stamped on a slide mount or the back of a photo
Leger de Main
League
of Galleries, Exhibit Rooms, Dealers and Makers of Art in Neighborhoods.
Non-profit organization created by Acker-Gherardino to produce
artist-run spaces and exhibitions on the Upper West Side of Manhattan.
Spaces came to include Steve Bush Exhibit Room, Art Lobby, Outer
Space and LEDO
M/M or m/m
Mixed
media
MAHSJ
Museo de
Arte e Historia de San Juan, Puerto Rico
MAHSJ preliminary list
Acker-Gherardino's
handwritten, preliminary list of works to be included in the Museo
de Arte e Historia de San Juan's Raphael Collazo (1943-1990) Exposición
Retrospectiva
MAHSJ final list
Printed
list of works sent by the museum to Acker-Gherardino to verify
information for the catalog of the Museo de Arte e Historia de
San Juan's Raphael Collazo (1943-1990) Exposición
Retrospectiva
MH
Martin Haggland:
the artist's friend, collector and author of The Paintings
of Raphael Collazo and Raphael Collazo: Catalogue Raisonné
MOCHA bill of lading
Bill
of lading of works delivered to the Museum of Contemporary Hispanic
Art, New York, for the memorial exhibition Healing Garden
O/C
Oil on canvas
O/linen
Oil on
linen
Photo (with number)
Refer
to photo
Ptg
Painting
RC
Raphael Collazo
RC Early Tapestries manuscript
Raphael Collazo, untitled and unpublished manuscript
(called "The Early Tapestries"), New York, 1984,
regarding his paintings exhibited in Recuerdo (I Remember): The Paintings of Raphael
Collazo, Art Lobby, New York. See "Manuscripts"
of The Paintings of Raphael Collazo or www.collazo.org
RC hand
In Raphael
Collazo's handwriting
RC Vermont statement
Ernest
Acker-Gherardino and Raphael Collazo, unpublished manuscript,
Interview
with Raphael A. Collazo for Blue Food, New York, 1987,
as transcribed by Acker-Gherardino from a recording. See "Manuscripts"
of The Paintings of Raphael Collazo or www.collazo.org
RCHP
In Raphael
Collazo's handwriting on a photo
RCHS
In Raphael
Collazo's handwriting on a slide
RC Erpf
Rosemary
C. Erpf, director of the R. C. Erpf Gallery, New York, from late
1985-August 15, 1988
RC Erpf catalog essay
Rosemary
C. Erpf, manuscript, Raphael Collazo, New York, March 1990,
written for the unpublished catalog of the memorial exhibition
Healing
Garden, Museum of Contemporary Hispanic Art, New York.
See "Manuscripts" of The Paintings of Raphael Collazo
or www.collazo.org
RC Erpf Gallery
R.
C. Erpf Gallery, New York, directed by Rosemary C. Erpf, who represented
the artist from late 1985-August 15, 1988
rt
Right
SVA
School of
Visual Arts, New York
Santiago list
The
artist's handwritten list of works for the Galería Santiago
exhibition
slide lists
In
author's comments regarding the Tapestries series, refers
to the Jan 85 and May 85 lists, above
sm
Small
Steve Bush
Steve
Bush Exhibit Room was an artist-run, alternative space coordinated
by Ernest Acker-Gherardino between 1981 and about 1990
Swaneria video
Tom
Miller's video showing works in the artist's apartment, including
Swaneria:
Marina's Dream, c. 1979
Tom Miller
Friend
of the artist; producer of a video about the Art Lobby's Recuerdo
exhibition and Collazo's painting methods
TP
Tapestries series painting
"Tunnel" paintings
Paintings from about June 1984 inspired by an
underground railroad tunnel near the artist's studio. See Raphael
Collazo, untitled and unpublished manuscript (called "The
Early Tapestries"), New York, 1984 in "Manuscripts"
of The Paintings of Raphael Collazo or www.collazo.org
UAMA list
Acker-Gherardino's
handwritten, partial list of works to be included in The University
of Arizona Museum of Art's Raphael Collazo (1943-1990) Memorial Retrospective
UAMA exhibition catalog
See
Exhibitions, above
Vermont Studio Colony
Artists'
colony in Johnson, Vermont, where the artist painted during the
month of March 1987
Victor Parker
See
Exhibitions, above
Victor Parker list
List
of works in the artist's handwriting on the back of a flyer for
his exhibition at Victor Parker Gallery (see Exhibitions, above)
Vocero article
Newspaper
article: Anonymous, Premian pintores boricuas, El Vocero, page
11, San Juan, Puerto Rico, Friday, April 10, 1987. See "Statements"
of The Paintings of Raphael Collazo or www.collazo.org
w/
With
Yares letter
Letter
dated 9/13/88 to the artist from the Riva Yares Gallery listing
works in the gallery's possession
YS
Note in the
inventory recommending that work be disposed of in a "yard
sale"
Works by Raphael Collazo are listed in chronological order, so far as limited knowledge allows, and are grouped into periods of similar style, based on the author's analysis. For an overview of the proposed periods, see Timeline of Painting Periods (1961-1989) at the front of this catalog. Although the paintings are listed before the works on paper of each series, it is likely that they were interspersed with, or even followed them. On the first line for each work is its catalog number, title, year, medium and size (in inches, vertical by horizontal; a third measurement, for some works, indicates depth). On subsequent lines, in smaller type, appear known Exhibitions and Collection; followed by the notes, which include author's Comments, evidence for the Date and the Inventory record. For a visual reference, see the slide in Volume I (1961-1983) or Volume II (1984-1989) that bears the corresponding catalog number. The slides are in the same order as this listing.
For catalog numbers followed by "*", refer to the supplementary photo, negative or 4 x 5 inch transparency for the highest image quality (available only in Catalogue Raissoné No. 1 at Raphael Collazo Foundation). "(ES)" indicates an early state of the work; "(MS)" a middle state; "(SV)" the only visual is on the Swaneria video; "(T)" see the 4 x 5 inch transparency (only in Catalogue Raisonné No. 1); "(X)" there is no visual reference in this catalog: consult the CDLA archives if so noted; "(L)", "(C)" and "(R)" indicate left, center and right respectively of triptychs; and Roman numerals "(I)" through "(V)" components of a single work. Catalog numbers followed by a "+" indicate works added to those in the index of mature paintings (1984-1989) of The Paintings of Raphael Collazo. These are fragments of freeform constructions, works that lack complete visual reference, or additional early states.
Slide sheet: Early I
029*
Girl in a Landscape, 1961, oil on
canvas, c. 48 x 36
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: Visuals: photo and newpaper articles. Won first-place in first annual C & C Super Coola art grants-in-aid program for New York City high school students, Date: Based on 1961 dates of Mirror, El Diaro and New York World Telegram newspaper articles [see Memorabilia slides No. 913, 919 and 930, respectively]. No lab date, Inventory: None.
714
Untitled,
c. 1961, watercolor and chalk on cardboard, 20 x 30
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
724
Untitled, c. 1962, oil on cardboard,
11 1/8 x 6 1/2
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
121
Untitled,
c. 1962, oil on canvas, 8 x 11
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: Reclining nude. O/C. Signed back. 9 x 12. No date.
813
Untitled,
c. 1962, watercolor and chalk on cardboard, c. 8 x 4
Exhibitions: Unknown, Collection: Cruz-Uzal, Comments: None, Date: No lab date, Inventory: None.
599
Untitled, c. 1962, charcol and chalk
on paper, 24 x 18
Exhibitions: Unknown, Collection: Cruz-Uzal, Comments: None, Date: No lab date, Inventory: None.
301
Untitled,
c. 1962, oil on canvas, 6 1/4 x 5 1/2
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
729
Untitled,
c. 1962, oil and collage on cardboard, 20 x 15
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
728
Untitled,
c. 1962, oil, pencil and charcol on cardboard, 20 x 30
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: Faces - painting on board. Raphael written on surface. 20 x 30.
814
Figure,
c. 1963, etching on paper, 11 3/8 x 8
Exhibitions: Unknown, Collection: Cruz-Uzal, Comments: Signed. "Figure" and "#4" written on etching, Date: No lab date, Inventory: None.
735
Untitled, c. 1963, chalk on cardboard,
28 x 21 7/8
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
727
Untitled,
c. 1963, oil on paper, 14 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
300
Untitled,
c. 1963, oil on canvas, 3 7/8 x 6 3/4
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
736
Untitled,
c. 1963, ink and watercolor on paper, c. 8 x 12
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
828
Untitled,
c. 1963, etching on paper, 12 3/4 x 18 7/8
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: Based on No. 829. No lab date, Inventory: None.
532
Untitled,
c. 1963, pencil and crayon on paper, 11 3/4 x 8 3/4
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
829
Untitled,
1963, etching on paper, 17 7/8 x 12
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: December. Signed and dated "12/4/63". No lab date, Inventory: None.
601
Untitled,
c. 1964, charcol and colored chalk on paper, 18 x 24 1/4
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
602
Untitled,
c. 1964, etching on paper, 17 7/8 x 24
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
845
Untitled,
c. 1964, etching, watercolor and chalk on paper, 15 x 21 3/4
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
Slide sheet: Early II
844
Untitled ["Le Grande Caggia"],
c. 1965, oil and pencil on paper, 17 x 14
Exhibitions: Unknown, Collection: K. Acker, Comments: Signed, Date: No lab date, Inventory: None.
784
Untitled
[portrait of the artist's mother], c. 1965, pencil and watercolor
on paper, 9 3/4 x 7 3/4
Exhibitions: Unknown, Collection: Lloret [ex. coll. Torres], Comments: None, Date: No lab date, Inventory: None.
518
Untitled,
c. 1965, ink and paper on cardboard, 8 1/2 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
003*
Untitled
[portrait of Ernest Acker-Gherardino], c. 1965, oil on canvas,
c. 24 x 28
Exhibitions: Unknown, Collection: Auctioned, Comments: See Photo 1037, Date: No lab date, Inventory: None.
033*
Untitled,
c. 1965, oil on canvas, c. 36 x 24
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: May be earlier due to printed, rather than script, signature. See Photo 927 and Film Strip 30150C, Date: Based on printed vs. script signature [see Girl in a Landscape]. No lab date, Inventory: None.
Slide sheet: Color Planes I
302
Untitled,
c. 1965, oil on canvas, 7 x 6 1/8
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
306
Untitled,
c. 1965, oil on canvas, c. 14 x 20
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 12/66, Inventory: None.
308
Untitled,
1965, oil on canvas, c. 20 x 16
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: On back: "1965". Lab: 12/66, Inventory: None.
141
Untitled,
1966, oil on canvas, 72 x 61
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: "1966" in RC hand on back of mounted photo. Signed on back 1966 [inventory]. Lab: 12/66, Inventory: Figurative (stack of women). Signed on back 1966. Stretcher in bad shape, loose canvas, cracked. 73 x 61 1/2 w/shadow frame.
310
Untitled,
1966, oil on canvas, 21 x 18
Exhibitions: Unknown, Collection: Cruz-Uzal, Comments: National Academy of Design exhibit tag on back, Date: On back: "1966". Lab: 12/66, Inventory: None.
026
Untitled
["Isabella"], c. 1966, oil on canvas, 54 x 38
Exhibitions: Unknown, Collection: Angles [formerly auctioned], Comments: None, Date: No lab date, Inventory: Muted colors abstr. with figure (face). O/C. Smaller painting found stuck to front/damaged (dented) surface. 54 x 38.
189
Untitled,
c. 1966, oil on canvas, 50 x 31
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: Figurative abstraction. Late 60s. Corners scratched/damaged surface. 50 x 31. O/C. Raphael Angel Collazo on back.
002
Untitled,
c. 1966, oil on canvas, c. 30 x 36
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: None, Date: Lab: 8/75, Inventory: None.
083
Untitled,
c. 1966, oil on canvas, 30 x 25
Exhibitions: Unknown, Collection: Auctioned, Comments: Could be painted by Ernst Acker-Gherardino, Date: No lab date, Inventory: Abstraction O/C early (?). 26 x 31 F.
037
Untitled,
c. 1966, oil on canvas, 60 x 36
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: A/C. Abstraction. 60 x 36. Stretcher marks showing through front of canvas.
001
Circus,
1966, oil on canvas, 74 x 74
Exhibitions: Unknown, Collection: Beyer, Comments: Note from Jeffrey S. Beyer dated 6/24/88 with first payment for "Circus". Invoice dated 7/1/88: 1 Painting "Circus" $2,000.00. First payment of $500 recorded for July 1, 1988. Subsequent payments due October 1, 1988, February 1, 1989 and June 1, 1989, Date: August. Dated "August 24, 1966" [Beyer]. Lab: 8/75, Inventory: None.
257
Untitled, 1966, oil on canvas, c.
30 x 36
Exhibitions: Unknown, Collection: Nelson, Comments: None, Date: 1966 [inventory]. Lab: 8/75, Inventory: Figurative abstraction. 1966. Framed, canvas loose. Cond. OK.
089
Untitled,
c. 1966, oil on canvas, 21 x 24
Exhibitions: Unknown, Collection: Auctioned, Comments: Signed on back, Date: No lab date, Inventory: O/C. Seated figure (scuffed). 24 x 21. No date, signed back.
079
Untitled, c. 1966, oil and collage
on canvas, 31 x 22 1/2
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 12/66, Inventory: O/C with collage. 2 panels. Figure reclining. 32 x 23 1/2 F.
076
Untitled,
c. 1966, oil and collage on canvas, 30 x 33
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: O/C with photo collage. Reclining figure. 30 x 33.
453*
Untitled,
c. 1966, oil on canvas, c. 31 x 22 1/2
Exhibitions: Unknown, Collection: Auctioned, Comments: See Photo 902, Date: Lab: 12/66, Inventory: None.
098
Saffron,
c. 1966, oil on canvas, 22 x 20
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 12/66, Inventory: Figures in abstraction 60s. 23 x 21. F. O/C.
673
Untitled
[notebook E: leaf 4], c. 1966, crayon on paper, 8 x 5
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
Slide sheet: Color Planes II
036
Untitled,
c. 1967, oil on canvas, 36 x 46
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: A/C. Portrait red-headed woman. 36 x 46.
014
Untitled,
1967, oil and housepaint on canvas, 44 x 44
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: March. 3/67 written on back [inventory]. No lab date, Inventory: 3/67 written on back. Oil/housepaint? Figures. 44 x 44.
260
Untitled,
c. 1967, oil on canvas, 20 x 30
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: Figure painting early. 20 x 30.
075
Untitled,
c. 1967, oil on canvas, 25 x 29
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: O/C. 3 figures. 25 x 29. Signed on back.
093
Untitled,
c. 1967, oil on canvas, 14 x 24
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: O/C. 60s abstraction. Dirty surface. No date. 24 x 14.
255
Untitled,
c. 1967, oil on canvas, 40 x 30
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: Signed on back - W 88th St. 60s, 70s. Landscape abstraction. Slip frame. 40 1/2 x 30 1/2. Cond. OK.
016
Untitled,
c. 1967, oil on canvas, 50 x 36
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: O/C. Water damage/stains. Figures. 50 x 36.
Slide sheet: Blue Rider I (Landscapes)
365
Untitled, c. 1967, oil on canvas,
c. 24 x 32
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
364
Untitled,
c. 1967, oil on canvas, c. 36 x 42
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
363
Untitled,
c. 1967, oil on canvas, c. 36 x 42
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
361
Untitled,
c. 1967, oil on canvas, c. 24 x 32
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
354
Untitled,
c. 1967, oil on canvas, 30 x 24
Exhibitions: Unknown, Collection: Auctioned, Comments: On back: "KANTOR PM", Date: Attended Art Students League 1967-1976 and, at times, was Morris Kantor student. Lab: 8/75, Inventory: None.
234
Untitled,
1967, oil on canvas, 36 x 42
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: November. 11/67 [inventory]. No lab date, Inventory: Landscape 11/67. Stretcher imprints on front. 36 x 42. Signed bottom rt.
066
Untitled,
c. 1967, oil on canvas, 24 x 32
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: 60s abstraction. 24 x 32. O/C. Condition OK.
071
Untitled,
c. 1967, oil on canvas, 32 x 24
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: Mr. Kantor Class written on stretcher (Morris Kantor, SVA?) 32 x 24. 60s.
823
Untitled,
c. 1967, colored pencil on paper, 10 3/4 x 13 7/8
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
241
Untitled,
c. 1967, oil on canvas, 36 x 46
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: 60s abstraction. Woman w/castle. Stretcher marks. 36 x 46. Cond OK. O/C.
237
Untitled,
1967, oil on canvas, 42 x 34
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: December. On painting face: "12/67". No lab date, Inventory: Signed on back. 42 x 34. Abstraction. Right edge has foreign paint from rubbing. O/C. Cond OK.
358
Untitled,
c. 1967, oil on canvas, 34 x 28
Exhibitions: Unknown, Collection: Auctioned, Comments: Torn, Date: No lab date, Inventory: None.
742
Untitled,
c. 1967, oil on canvas, 20 x 15
Exhibitions: Unknown, Collection: Auctioned, Comments: Signed, Date: No lab date, Inventory: None.
226
Untitled,
c. 1967, oil on canvas, 32 x 24
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: Red Lips figure. 24 x 32. Dirty, buckling on side.
023
Untitled,
c. 1967, oil on canvas, 40 x 50
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: "Mr. Kantor" written upside down on stretcher. 60s. 50 x 40.
068
Untitled,
c. 1967, oil on canvas, 24 x 32
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: 60s abstraction. 24 x 32. O/C. Condition OK. Scuffing top left corner.
017
Untitled,
c. 1967, oil on linen, 40 x 50
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: No title date. A/C. (preprimed linen) 40 x 50. 60s abstraction.
062
Untitled,
c. 1967, oil on canvas, 24 x 36
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: O/C. 36 x 24. 60s abstr. Some mold spots.
225
Untitled,
c. 1967, oil on canvas, 32 x 24
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: Abstration. 60s. Acid colors. Flake white flaking. 24 x 32. O/C.
021
Untitled,
c. 1967, oil on canvas, 46 x 50
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: Signed A/C. 60s abstraction. 46 x 50.
Slide sheet: Blue Rider II (Landscapes)
018
Untitled,
c. 1967, oil on canvas, 36 x 50
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: RC (?). No title. Some water damage. 36 x 50. A/C.
032
Dunsinane,
c. 1967, oil on canvas, 36 x 44
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: Signed lower left. "Dunsinane" written on back. 36 x 44. 60s palette.
236
Untitled,
c. 1967, oil on canvas, 36 x 42
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: R. Collazo on back. Continental shelf abstract. 36 x 42. Cond. OK/stretcher marks.
022
Untitled,
c. 1967, oil on canvas, 42 x 50
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: A/C. Canvas buckling upper rt corner. 60s abstr. (day glow) 42 x 50.
233
Untitled,
c. 1967, oil on canvas, 38 x 43
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: Reclining woman with red stripe down back. 38 x 43. Condition not good.
247
Landscape II, 1967, oil on canvas,
39 x 44 1/2
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: October. Signed back 10/67 [inventory]. On back: "Oct 9, 1967" [MH]. No lab date, Inventory: Signed back. 10/67. Landscape II. Warped stretcher - roof tops. Framed. Cond OK. Dirty. 40 x 45 1/2. Label on back says Audubon Artists Annual.
040
Untitled, c. 1967, oil on canvas,
32 x 60
Exhibitions: Unknown, Collection: Auctioned, Comments: Could be painted by Ernst Acker-Gherardino, Date: Lab: 8/75, Inventory: A/C. Triptych 60s abstraction. 32 x 60. 3 panels.
030
Untitled,
c. 1967, oil on canvas, 36 x 44
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: 60s abstr. Signed R Collazo. 36 x 44. Some damage.
064
Stageset,
c. 1967, oil on canvas, 24 x 32
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: "Stageset". O/C. 24 x 32. 60s(?).
548
Untitled,
c. 1967, ink and colored pencil on paper, 11 x 14
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
019
Untitled,
c. 1967, oil on canvas, 40 x 50
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: (on back says RC) 40 x 50. A/C.
020
Untitled,
c. 1967, oil and collage on canvas, 36 x 50
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: 60s abstraction. A/C. with Robert [author: Howard] Spencer nude figure cut out and collaged to canvas - Spencer piece is very cracked esp. on edges. 36 x 50.
069
Untitled,
c. 1967, oil on canvas, 32 x 24
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: 60s abstraction. 32 x 24. O/C. Condition OK.
549
Untitled,
c. 1967, watercolor and colored pencil on paper, 14 x 10 3/4
Exhibitions: Unknown, Collection: K. Acker, Comments: Signed, Date: No lab date, Inventory: None.
012
Untitled,
c. 1967, oil on canvas, 50 x 50
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: A/C. 50 x 50. 60s Abstraction.
025
Untitled,
1967, oil on canvas, 42 x 54
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: December. 12/67 [inventory]. No lab date, Inventory: 12/67 signed. 60s abstraction. 42 x 54. A/C. Bad condition in one area - cracked + peeling.
877
Untitled,
1967, gouche on paper, 10 1/4 x 13 5/8
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: Date on back. No lab date, Inventory: None.
Slide sheet: Blue Rider III (Figuratives)
311
Untitled, c. 1967, oil on canvas,
c. 16 x 12
Exhibitions: Matices, Collection: Pérez, Comments: None, Date: No lab date, Inventory: None.
307
Untitled,
c. 1967, oil on canvas, c. 24 x 32
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
235
Untitled,
c. 1967, oil on canvas, 42 x 36
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: Nude woman. 36 x 42. Signed bottom rt.
013
Untitled,
c. 1967, oil on canvas, 50 x 42
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: A/C Turbaned woman by window. 50 x 40. Surface dented.
063
Untitled,
c. 1967, oil on canvas, 36 x 24
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: O/C. Figure w/green blue floral dress. 36 x 24. Signed lower right.
741
Untitled,
c. 1967, oil on cardboard, c. 36 x 24
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: None.
725
Untitled, c. 1967, oil on paper,
c. 24 x 18
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
382
Untitled,
c. 1967, oil on canvas, c. 25 x 20
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
383
Untitled,
c. 1967, oil on canvas, c. 18 x 45
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
008
Untitled,
c. 1967, oil on canvas, c. 16 x 20
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: None, Date: Lab: 8/75, Inventory: None.
Slide sheet: TV Housewife I
081
TV Housewife, 1968, acrylic, oil
and pencil on canvas, 24 x 32
Exhibitions: UAMA-3, Collection: Auctioned, Comments: Addtional source: UAMA catalog, Date: June. 6/68 [inventory]. Lab: 12/68, Inventory: "TV Housewife". 6/68. Acrylic Oil pencil. Signed on back. 24 x 32. (plastic wrapped).
686
Untitled
[notebook L: leaf 10; Semi-Abstract House sketch],
c. 1968, pencil, colored pencil and collage on paper, 18 x 12
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: Based on painting. No lab date, Inventory: None.
100
Semi-Abstract House, 1968, wallpaper
and acrylic on canvas, 20 x 16
Exhibitions: UAMA-2, Collection: Auctioned, Comments: None, Date: July. 7/9/68 [inventory]. No lab date, Inventory: Signed '68. "7/9/68". O/C. 21 1/2 x 17 1/2. House + Figure. F.
179
Untitled,
c. 1968, oil on canvas, 16 x 18
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: 60s abstraction. Cond OK. 16 x 18.
815
Untitled,
c. 1968, collage and paint on paper, 11 7/8 x 9
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
839
Untitled,
c. 1968, watercolor, colored pencil and pencil on paper, 18
x 12
Exhibitions: Unknown, Collection: K. Acker, Comments: Signed, Date: No lab date, Inventory: None.
072
Untitled,
c. 1968, oil on canvas, 25 x 30
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Lab: 8/75, Inventory: O/C. 60s abstraction. 25 x 30.
177
Untitled,
1968, oil on canvas, 19 x 15
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: July. 7/68 [inventory]. Lab: 8/75, Inventory: 7/68 Abstr. Signed + dated on back + front. O/C. 19 x 15. Cond OK.
006
Untitled,
c. 1968, oil on paper, c. 23 3/4 x 18 7/8
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: None, Date: Lab: 8/75, Inventory: None.
600
Untitled, c. 1968, oil on paper,
23 3/4 x 18 7/8
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
685
Untitled
[notebook L: leaf 8], c. 1968, pencil and gouche on paper,
18 x 12
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
687
Untitled
[notebook L: leaf 12], c. 1968, pencil, colored pencil and
gouche on paper, 18 x 12
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
785
Untitled,
c. 1968, pen, crayon on paper, 11 7/8 x 9
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
684
Untitled
[notebook L: leaf 7], c. 1968, black and red pencil on paper,
12 x 18
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
585
Untitled,
c. 1968, colored pencil, pen on paper, 11 x 14
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
816
Untitled,
c. 1968, colored pencil on paper, 12 x 9
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
807
Untitled,
c. 1968, chalk and gouche on paper, 16 x 12
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
806
Untitled,
c. 1968, chalk and gouche on paper, 16 x 12
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
105
Untitled,
c. 1968, oil on canvas, 11 1/2 x 10 1/2
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: 60s abstraction O/C. F. 11 1/2 x 12 1/2.
820
Untitled
[portrait of Ernest Acker-Gherardino], c. 1968, colored pencil
on paper, 12 x 9
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
Slide sheet: TV Housewife II
887
Untitled,
c. 1968, colored pencil on paper, 12 x 9
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
688
Untitled
[notebook L: leaf 19, "Home Sweet Home"], c. 1968,
pencil, colored pencil and gouche on paper, 18 x 12
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
853
Untitled,
c. 1968, colored pencil on paper, 18 3/4 x 23 3/4
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
737
Untitled,
c. 1968, oil on cardboard, 14 x 8 1/2
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Date based on Notebook G. No lab date, Inventory: None.
738
Untitled,
c. 1968, oil on cardboard, 14 x 8 1/2
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Date based on Notebook G. No lab date, Inventory: None.
739
Untitled,
c. 1968, oil on cardboard, 14 x 8 1/2
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Date based on Notebook G. No lab date, Inventory: None.
740
Untitled,
c. 1968, oil on cardboard, 14 x 8 1/2
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Date based on Notebook G. No lab date, Inventory: None.
708
Untitled,
c. 1968, oil on cardboard, 13 7/8 x 81/2
Exhibitions: Unknown, Collection: Cruz-Uzal, Comments: None, Date: Date based on Notebook G. No lab date, Inventory: None.
786
Untitled,
c. 1968, colored pencil on paper, 11 x 11 3/4
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
698
Untitled,
c. 1968, pencil and colored pen on paper, 18 x 12
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
680
Untitled
[notebook I: leaf 9], c. 1968, ink and paint on paper, 12
x 9
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
Slide sheet: Soft Edge
027
Lady in
Landscape, c. 1968, oil on canvas, 48 x 40
Exhibitions: Unknown, Collection: Auctioned, Comments: Title in RCHS, Date: Date on front of painting: "68". On slide: "completed 1975". Lab: 12/68, Inventory: Figure - Torso. A/C. 48 x 40.
077
Untitled,
c. 1968, oil on canvas, c. 48 x 40
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: None, Date: Lab: 12/69, Inventory: None.
713
Untitled,
c. 1968, oil on cardboard, 20 x 15
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: Lab: 8/75, Inventory: None.
092
Untitled,
1968, oil on canvas, 30 1/2 x 17
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: July. 7/68 on side [inventory]. Lab: 8/75, Inventory: O/C. 7/68 on side. Late 60s. Figurative. 30 1/2 x 17. Signed bottom rt.
091
Untitled,
1968, oil on canvas, 25 1/2 x 18
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: August. "8/68" on back. Lab: 8/75, Inventory: O/C. 8/68. Standing female figure. Surface marked, dirty. Signed bottom right. 18 x 25 1/2.
015
Untitled,
1968, oil on canvas, 47 1/2 x 40
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: September. "Sept 68" on back [MH]. 9/68 [inventory]. No lab date, Inventory: 9/68. Water damage on back/profiles. 47 1/2 x 40.
070
Untitled,
1968, oil on canvas, 24 x 32
Exhibitions: Unknown, Collection: Flores, Comments: None, Date: September. Dated "9/68" on painting back. No lab date, Inventory: Signed 9/68. Figure. Stain top left. O/C. 24 x 32.
028
Untitled,
c. 1968, oil on canvas, 40 x 48
Exhibitions: Unknown, Collection: Flores, Comments: None, Date: Lab: 12/68, Inventory: A/C. Abstraction with profiles. 48 x 40. Some day-glow.
743
Untitled, c. 1968, oil on canvas,
c. 20 x 14
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: None, Date: Lab: 8/75, Inventory: None.
176
Untitled,
c. 1968, oil on canvas, 16 x 20
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: Early abstraction 60s. O/C. 20 x 16. Staining.
034
Untitled,
c. 1968, oil on canvas, c. 24 x 16
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: None, Date: Lab: 12/68, Inventory: None.
682
Untitled
[notebook K: leaf 54], c. 1968, watercolor on paper, 11 x
14
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
458*
Untitled,
c. 1968, oil on canvas, c. 40 x 40
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: See Photo 960, Date: Lab: 12/68, Inventory: None.
524
Untitled,
c. 1968, mixed media on paper, 9 x 11 7/8
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
527
Untitled ["I Love Watteau"],
c. 1968, watercolor on paper, 11 7/8 x 9
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
817
Untitled,
c. 1968, pencil and watercolor on paper, 11 7/8 x 9
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
674
Untitled
[notebook H: leaf 8], c. 1968, colored pencil and crayon on
paper, 12 x 9
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
525
Untitled,
c. 1968, colored pencil on paper, 11 7/8 x 9
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
269
Untitled,
c. 1968, oil on canvas, 20 1/2 x 41 1/2
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Based on nearby sketch in notebook of painting No. 015, which was completed 9/1968. No lab date, Inventory: Arc shaped canvas w/portrait (EG?). Rainbow type colors, silver border. 20 1/2 x 41 1/2.
104
She...,
c. 1968, oil and collage on canvas, 10 x 14
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: Signed lower left. Back says: "She...". 10 x 14. Some dirt. O/C.
Early Figurative Drawings (1969)
Slide sheet: Early Figurative Drawings I
501
Untitled (Maiden), c. 1969, sepia
pencil on paper, c. 16 7/8 x 14
Exhibitions: Unknown, Collection: Miller, Comments: Could be "Angelina", on Santiago list, Date: No lab date, Inventory: None.
506
Untitled [portrait of the artist],
c. 1969, pencil on paper, c. 14 x 11
Exhibitions: Santiago [announcement card], Collection: Whereabouts of original drawing unknown, Comments: Printed version [Galería Santiago announcement card] of original drawing, Date: Based on Santiago exhibition. No lab date, Inventory: None.
798
Chinese Landscape, c. 1969, pencil,
colored pencil and watercolor on paper, 13 1/2 x 16 1/2
Exhibitions: Unknown, Collection: CDLA, Comments: Title on back, Date: No lab date, Inventory: None.
709
Lady Lovely & Lover [believed
to be artist's title], c. 1969, mixed media on paper, 16 7/8 x
14
Exhibitions: Unknown, Collection: CDLA, Comments: Believed to be work with this title on Santiago list, Date: No lab date, Inventory: None.
745
The Performers Gesvaldo, c. 1969,
oil, pencil and colored pencil on cardboard, 19 7/8 x 29 7/8
Exhibitions: Santiago-30, Collection: CDLA, Comments: #30 on Santiago list and noted: "O.C." [on consignment?], Date: Based on Santiago exhibition. No lab date, Inventory: None.
893*
Untitled,
c. 1969, mixed media on paper, 14 x 11
Exhibitions: Unknown, Collection: Bollin, Comments: Purchased by Billy Baldwin [Baldwin & Martin, interior designers] for collector's parents' house in New York City, Date: No lab date, Inventory: None.
580
Untitled,
c. 1969, pencil and watercolor on paper, 11 x 14
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
568
Untitled,
c. 1969, pencil and colored pencil on paper, 10 5/8 x 14 5/8
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
579
Untitled,
c. 1969, pencil on paper, 14 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
578
Untitled,
c. 1969, pencil on paper, 14 x 11
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
562
Untitled,
c. 1969, pencil, colored pencil and watercolor on paper, 17
x 14
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
787
Untitled,
c. 1969, watercolor on paper, 13 7/8 x 11
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
843
Untitled,
c. 1969, pencil and gouche on paper, 17 x 14
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
825
Untitled,
c. 1969, pencil and watercolor on paper, 14 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
802
Untitled,
c. 1969, pencil on paper, 13 7/8 x 10 7/8
Exhibitions: Unknown, Collection: K. Acker, Comments: Signed, Date: No lab date, Inventory: None.
819
Untitled,
c. 1969, pencil and watercolor on paper, 11 3/4 x 9
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
096
Head Study, c. 1969, pencil and
watercolor on paper, c. 14 x 11
Exhibitions: Santiago-16, Collection: Whereabouts unknown, Comments: #16 on Santiago list with title crossed out. In 1st one-person exhibition: pictured in De La Mata review, Sunday San Juan Star Magazine, 2.14.71, Date: Based on Santiago exhibition. No lab date, Inventory: None.
097
Los Infantes Terribles, c. 1969,
pencil and watercolor on paper, c. 14 x 11
Exhibitions: Santiago-17, Collection: Whereabouts unknown, Comments: #17 on Santiago list with title spelled "Les Enfants terrible" and noted "Sold". In 1st one-person exhibition: pictured in De La Mata review. Spelling of title is that of review, Date: Based on Santiago exhibition. No lab date, Inventory: None.
086 (SV)(X)
Untitled,
c. 1969, pencil and watercolor on paper, c. 17 x 14
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: None, Date: No lab date, Inventory: None.
088 (SV)(X)
Untitled,
c. 1969, pencil and watercolor on paper, c. 17 x 14
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: Could be work titled "Masquerade #1" or "Masquerade #2" on Santiago list, Date: No lab date, Inventory: None.
094 (SV)(X)
Untitled,
c. 1969, pencil and watercolor on paper, c. 17 x 14
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: None, Date: No lab date, Inventory: None.
095 (SV)(X)
Untitled,
c. 1969, pencil and watercolor on paper, c. 17 x 14
Exhibitions: Unknown, Collection: Whereabouts unknown, Comments: Could be work titled "Masquerade #1" or "Masquerade #2" on Santiago list, Date: No lab date, Inventory: None.
560
Untitled, c. 1969, pencil, water
and collage on paper, 17 x 14
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
Slide sheet: Early Figurative Drawings II
545
Untitled,
c. 1969, ink and colored pencil on paper, 14 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
550
Untitled,
c. 1969, colored pencil on paper, 14 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
572
Untitled,
c. 1969, watercolor on paper, 14 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
569
Untitled,
c. 1969, watercolor on paper, 14 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
574
Untitled,
c. 1969, watercolor on paper, 11 x 14
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
573
Untitled,
c. 1969, watercolor on paper, 14 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
571
Untitled,
c. 1969, watercolor on paper, 14 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
564
Untitled,
c. 1969, ink and watercolor on paper, 17 x 14
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
547
Untitled,
c. 1969, pencil and gouche on paper, 14 x 11
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
557
Untitled,
c. 1969, pencil and watercolor on paper, 17 x 14
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
556
Untitled,
c. 1969, watercolor on paper, 17 x 14
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
603
Untitled,
c. 1969, watercolor on paper, 22 x 29 3/4
Exhibitions: Unknown, Collection: Cruz-Uzal, Comments: None, Date: No lab date, Inventory: None.
546
Untitled,
c. 1969, ink, pencil and watercolor on paper, 10 5/8 x 14
1/2
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
Slide sheet: Early Figurative Drawings III
575
Untitled,
c. 1969, pencil and watercolor on paper, 13 7/8 x 11
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
683
Untitled
[notebook J: leaf 1], c. 1969, pencil on paper, 11 x 14
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
508
Untitled,
c. 1969, pencil on paper, 9 x 6 1/8
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
570
Untitled,
1969, watercolor and gouche on paper, 14 x 11
Exhibitions: Unknown, Collection: Cruz-Uzal, Comments: None, Date: Date on front: "69". No lab date, Inventory: None.
596
Untitled,
1969, pencil, colored pencil and watercolor on paper, 18 5/8
x 24
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: Date on face of drawing: "69". No lab date, Inventory: None.
178
Untitled, c. 1969, oil on canvas,
18 x 16
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: Based on sketch in Notebook G. No lab date, Inventory: Christ figure w/halo. 60s 18 x 16. O/C. Dirty - cond OK.
512
Untitled,
c. 1969, sepia pencil on paper, 10 1/4 x 7 1/4
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
533
Untitled,
c. 1969, pencil on paper, 11 7/8 x 9
Exhibitions: Unknown, Collection: K. Acker, Comments: Torn, Date: No lab date, Inventory: None.
551
Untitled,
c. 1969, watercolor on paper, 10 5/8 x 14 1/2
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
552
Untitled,
c. 1969, watercolor on paper, 10 5/8 x 14 1/2
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
800
Untitled,
c. 1969, mixed media on paper, 8 3/8 x 13 1/4
Exhibitions: Unknown, Collection: Cruz-Uzal, Comments: None, Date: No lab date, Inventory: None.
567
Untitled,
c. 1969, pencil, watercolor and collage on paper, 13 7/8 x
17
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
576
Untitled,
c. 1969, watercolor and gouche on paper, 13 7/8 x 11
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
577
Untitled,
c. 1969, watercolor and gouche on paper, 11 x 13 7/8
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: No lab date, Inventory: None.
389
Untitled,
c. 1969, oil on panel, c. 7 x 14 x 7
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
274
Untitled,
c. 1969, oil on canvas, 12 x 16
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: Abstracted landscape. 12 x 16.
314
Untitled,
c. 1969, oil on linen portfolio cover, 10 3/4 x 13 1/8
Exhibitions: Unknown, Collection: K. Acker, Comments: None, Date: No lab date, Inventory: None.
390
Untitled,
c. 1969, oil and collage on paper, c. 9 x 24 diameter
Exhibitions: Unknown, Collection: Auctioned, Comments: None, Date: No lab date, Inventory: None.
810
In Busana
Vechia, 1970, pencil, chalk and gouche on paper, 10 5/8 x
14 1/2
Exhibitions: Unknown, Collection: CDLA, Comments: None, Date: Date on front. No lab date, Inventory: None.
895
Untitled
[Three Maidens], c. 1969, mixed media on paper, 14 x 11
Exhibitions: Unknown, Collection: Kirsch, Comments: None, Date: "purchased in late 1970 in Puerto Rico. No lab date, Inventory: None.
Slide sheet: Arched Interiors I
751
The Best from Vogue, c. 1970, collage
on cardboard, 17 1/2 x 15
Exhibitions: Unknown, Colle